Somewhere in Time, Unlimited has been generously offered the costuming estate of one of our members who passed away last year. There will be oodles of “finds” one can use, including… accessories. We will have other vendors there who are members, also selling their garments and accessories. Sound good so far?This is a MUST ATTEND gathering, and it’s FREE to get in! Be sure to set aside the date on your calendars.Additionally, the following weekend, we will be holding a special “tea” where you can bring your finds and/or fabric, to ask a panel of seasoned costumers and folks in attendance, how you might be able to improve on what you bought, re-muddle it, make something terrific out of what you bought, and in general, spend a delightful afternoon with friends! See you soon…. Lady V.
The creator over at American Duchess are rolling out these beautiful “Pompadour” style shoes. Also available are the Kensingtons. Having spoken to ladies who have purchased the Kensington style, I’m told they are quite comfortable.
Shoes are available in black and plain white which is dyeable (by a professional), to whatever tone you need.
Come on. Quit chasing all over town. Just hop out to the American Duchess ( www.american-duchess.com ) and order yours NOW before the shipment sells out – again….
The historical costuming group, Somewhere in Time, Unlimited met up with the tall ships Lady Washington and Hawaiian Chieftan for some fun. We enjoyed eating alfresco on the dock under brilliant blue skies, while dressed in 18th century attire. Pirates were welcome.
If you’d like to see images of the day and you are a Facebook enrollee, I invite you to visit the Fan Page for CostumingInSeattle! Enjoy….
Feel free to visit our regular website to see what’s coming up next: www.CostumingInSeattle.com
It needed it. Something. A little “bling” as it were.
As many of you know, Sir Harry of Essex and I are historical costumers and belong to Somewhere in Time, Unlimited (SITU).
A few years ago, SITU held a Winter Event called “Titanic – The Survivor’s Ball”. There was a 13-piece orchestra, 7-course Edwardian dinner, the lady guests came in beautiful Titanc inspired gowns, while the gentlemen arrived wearing swallow tail tuxes. It was very elegant indeed.
In time for this event, I had designed and put together the same navy blue velvet top that Kate Winslet had worn in the “Flying” scene. Mine is very pretty with the heavy lace center piece, but the collar looked rather naked. I think I’ve solved that problem.
The Butterick pattern calls for this contrasting lapel area to be beautifully set apart from all the velvet.
I found some interesting vine patterned stitching which was attached to net backing. Probably intended for a VERY expensive gown (the product was $60 per yard), I chose instead to stitch the vine carefully by hand onto the lapels, removing the the netting as I worked.
In this photo, you can see the lapel top area, as well as the dupioni white silk which I had over laid with heavy bridal lace which I found at JoAnne fabrics. The vine lace, which BTW matching perfectly in tone with the outfit, I found at Nancy’s Sewing Basket (a specialty store for the discriminating seamstress), located on the top of Queen Anne hill in Seattle.
Why did I want several years before I attached the lace? Well, in the beginning I didn’t have time to get the lace onto the garment in time for the event. I just kept the lace handy so I could put it on later.
It was like a date gone bad. Like you planned your prom dress and your date doesn’t show. I digress. Back to the start of things.
In the beginning, I was a young child and I had a love/hate relationship with the Seattle Seafair Pirates. They would come down the streets of Seattle (and surrounding communities), setting off their cannons on a mighty ship of sorts and those who walked beside the ship, were scraping their swords along the pavement, setting off sparks. I was terrified and yet delighted by the strength of these swashbuckling, handsome men in tricorns and bandanas, plus really aaaaaawesome 18th-century costumes.
The Seattle Seafair Pirates are an icon in the community. They show up on the dot for parades. They go to the local hospitals and visit with kids. They do tons of charity work. They “land” on a beach in Seattle, the same stretch of beach as the historical landing location for Seattle’s Founding Fathers. The pirates have all sorts of mysterious and sometimes tall tales of old in their history, but to most of us, these guys are “Da Bomb”. Literally.
The Pirates manage to move around on a VERY cool, supped up WWII amphibious landing device that can navigate waters and dry land. Did I say it was cool? Yeah. It really is. They have cannons on board, flags, tricked out everything to capture your imagination. It’s called “The Moby Duck”. It can haul backside around corners like you can NOT believe!
Last Spring, I happened to be in a parade and so were the guys. Their Duck let’s say, “had issues” and it was all they could do to duct-tape, chewing-gum-glue and say “Hail Mary” rosaries, just to get The Moby Duck into the parade. Organizers, The Pirates, and the kids in the audience, were all counting on The Duck.
Fast forward to Spring 2011. Here I am, dressed in my silk 18th-century attire (complete with 2 long curls and fancy hat), extending my invitation to the Seafair Pirates to come join Somewhere in Time, Unlimited in our 18th-century event over in Port Angeles on May 28th, as we greet The Lady Washington, a tall ship, as she comes into port.
I got an answer back to my request for a date. It’s doubtful they can make it – at all – by anyone. The Moby Duck is injured. You could say she must’ve been “injured in flight” somewhere along the way.
Yes, The Duck is up on blocks, or in the nest, as it were. She needs a drivetrain and power source. (Know anyone who might be a helpful resource?) The Seafair Pirates have a plea on their website asking for donations so they can get on the road in time again for this summer. It means that they can’t do parades using the Duck and be visible in the community as usua,l until The Moby Duck can fly again!
So, now what is the next step?
- Hop out to the Seattle Seafair Pirates website to help with a donation via PayPal.
Yes, it’s tax deductible too.
- Consider joining up with Somewhere in Time, Unlimited and participate in the picnic event.
Just click on the link to find all the full details.
- Tell all your pirate friends and those who enjoy wearing 18th-century attire. We’re going on on The Lady Washingtonin a mock battle with The Chieftain on the open sea, cannons-a-blazin’.Gonna be a blast…
In case you haven’t heard the news, there’s a new guy in town. Literally. He’s moved to Seattle from the UK. Quite exciting actually. Just how often do you get to meet and work with a cool, hip, “Bespoke Tailor” anyway?
What’s especially newsworthy is that Jason is not only an accomplished Victorian Tailor with a long list of satisfied clientele, but he is also a published author. Impressed yet? Should be.
Available both in the U.S. and in the U.K., is the bea-uuuuuu-tiful book called The Victorian Tailor. It has hit the stands in a big way. Not limited to interested females who sew, men are buying this book as a “bible” for tailoring and techniques for menswear.
Yes, you can snag your own affordable copy thru Amazon.com or Borders Books and other sources. But, if you happen to be in the general area and shoot me an email, we might be able to “hook you up” to get your copy autographed by the author himself.
P.S. On April 3, 2011, Jason will be teaching a Tailoring 101 Workshop in Seattle. VERY affordable, lots of one-on-one time, small class of people, located in Seattle. Hop out to the Somewhere in Time, Unlimited site to see all the details.
Come on. What you waiting for?
With impending holidays looming in the near future, this historical costumer decided to tackle the construction of a bustle outfit (or dare I say two?) in time to be all festively decked out with ample “junk in the truck”!
Having already visited several fabric/textile stores in the general Seattle area, I had scoped out and then purchased, my stash. Additionally, I had attended an estate sale, managing to pick up wooooonderful Pendleton wool fabic in smaller yardage quantities, but I think I can make it work. Victorian fashions after all, seemed to be about as colorful as the homes in which they lived!
So where to begin? Fortunately, Lady V already has a beautifully constructed corset, originally designed and built by the famous Marie Cooley of “The Fitting Room” Over this would be a corset cover (just bought a pattern for a new one!), followed by, ta-daaaah, “The Bustle”.
What exactly IS a bustle, say you? Most simplest of terms, it’s the cage, wires (padding too), contraption, covered in fabric, which holds all the subsequent layers of the outfit away from the body.
For my complete outfit, I chose to work with patterns designed by the sisters from “Truly Victorian” patterns.
The photos I am showing you here, are of pattern TV101. Laying out the pattern was very easy and the instructions to put the item together, were also very straight forward. With very little exception, I think that even a novice could understand the directions enough to put this together.
To make life easier and so that I had sturdy wire to use, I ordered the correct lengths of wire from Truly Victorian. These arrived with the ends of the wire beautifully covered with “tips” to protect my fabric from fraying, due to the stress of being bent and straining to pop flat again.
My friend, Miss Bobbie, who had already created the same garment before, advised me to use heavier fabric as my base, to help lessen the wear from wire from punching through thinner fabric. The only place where I have used this heavy fabric thus far, is in the triangular back section which will house the bustle wires.
Keeping this in mind, I chose to use a left-over, flat-fold item that appears to be white duck, twill, or possibly denim as my base. To create the channels, I chose not to cut strips of fabric. Instead, I purchased enough length of corset bone channeling, plus enough for turning and double-thickness for the ends.
Lickety-split, this part of the project went together quickly. Now it was on to preparing the length of fabric which would become the ruffles to cover and hide the structure created by the wires.
On the inside, I was instructed to sew strings, ribbons, tape to hang down loosely inside the structure. These would be tied together eventually (left to right), forming the “u” of the cage needed for “Da Look”.
As you can see, I used ribbon instead of string. The type is flat and has the little “bumps” along each edge. My reasoning (tho I might be incorrect in this assumption) is the more texture = better traction to hold the bow the ribbon gets tied into in order to hold that “u” shape of the wires.
Next up: Ruffles. Good GOD Margo! How many yards are we talking about? I sewed all the 13 strips, end-on-end together. For a moment, I thought it stretched as long as my house is wide. Then I clean finished the “hem” edge of the entire long strip. At this point of assembly, I’m tired. I either need medical attention, caffeine, or assistance from the mathematical and carpentry genius – Sir Harry of Essex – to help me measure and cut the long strip of fabric into the pattern specified lengths for each layer of ruffle (there are 7 of them in my case) used. At least the pattern designers were smart and started with the longest ruffle first, or we might’ve committed hari-kari… (wink)
Like a knight on a white horse, the shy Sir Harry rode in to save the day! He whipped out his reading glasses. Firmly grasping on the fabric and tape on one end, he worked to measure the accurate lengths before snipping them. One by one, I then ran a row of basting stitch on the unfinished long edge. Working together, we then proceeded to pull the stitching up and pinned each layer to the correct position on the back over panel. What a guy!
To which his reply would be, “Oh, I was busy sewing and pinning ruffles on a bustle….” What would you give to be a fly on THAT wall???
I had added the waistband at one point in the process. Realizing how much stress is put on a waistband’s hook-and-eye closure and the likelihood of the fabric being stressed (okay, I’m fat….), I opted to make it out of the same heavy twill fabric together with the fashion fabric. Turned out well, we think.
Once I have all the pieces of the Victorian bustle outfit completed, I will post photos of each garment on-body so you’ll have a better idea of how they will work together.
Oh, Sir Harry – I’m gonna show you how to help me make a “poof” in the skirt….